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245 10th Avenue may be eccentric, but at least it’s intentional

As a Manhattanite, student and practitioner of architecture, and lover of modern architecture I disagree with James Gardner, formerly the architecture critic of the New York Sun who states in his post (below), “…we must pray is not the future of architecture.”  I like the unusual materials of these buildings and the unique sculptural elements they have.  But what I like best is how they have made their neighborhoods relevent again with a sence of high-style and hipness.  Tell me what you think.

To say that 245 10th Avenue (Photos) is Manhattan’s latest contribution to the cult of ugliness is not necessarily as disrespectful as it sounds. Like the rebarbative High Line 519 (3D View) one block south on 23rd Street, 245 10th Avenue is a particularly eccentric example of Mod-meets-deconstruction, with retro-glances to the aesthetics of the 1960s and forward glances to what we must pray is not the future of architecture.

But if this nearly completed development at 245 10th Avenue (Photos) is ugly, at least it is intentionally so, which is some improvement on the status of many another recent New York building, which is unintentionally so. As a fairly representative example of the deconstructed species in question, it buckles or recedes where you would rationally expect it to present a planar wall. Along 10th Avenue, its wobbly façade is a checkered curtain wall of darker and paler panels, while to the south it appears as a windowless expanse whose blinding silvery cladding, in the proper sunlight, might well wreak havoc upon cars speeding up 10th Avenue.

Integral to the design of the new building, conceived by the architectural firm Della Valle + Bernheimer, is its proximity to a Lukoil gas station, immediately to its south. The implications of blue collar authenticity supplied by the gas station are a priceless commodity in this stretch of Chelsea, precisely because there are so few blue collar types around, and ever fewer with each passing day.

In a similar vein, across the street, heading south is a car wash, and next to that another recent condo development, Vesta 24, which is only a little more conservative than 245 10th Avenue. And yet, it requires no gift for prophecy to foresee a time, in the very near future, when the gas station and car wash will themselves give way to new developments, which will be very much like their neighbors. But all of them, once deprived of their crucial blue collar props, will look every bit as misshapen as 245 10th Avenue (Photos) today, only more so.

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‘Masterpieces’ on hold, waiting for better times

Hat tip to CNN Living

This article focusses on the job market as well.  Give it a read.

Aqua Building, Chicago, IL.

 

Some stunning buildings have appeared in American cities the past four years — buildings, like the Aqua skyscraper in Chicago, Illinois, that attest to the creativity of 21st-century architecture.

But there might be fewer of them in the near future, because the recession has forced many architects to tone down their ambition.

“A lot of projects have been delayed, a lot of projects have been scaled back, a lot of projects have been scrapped. … It’s not a time to see a lot of architectural masterpieces being created,” said Kermit Baker, chief economist of the American Institute of Architects.
 
Baker said the emphasis today is on value.

 “I think most buildings that are being built are very much focused on managing cost,” he said. “So you tend to see less creativity in that environment, less exciting designs, less upscale materials being used in them.”

 At Aqua, the curved terraces vary slightly from floor to floor, giving the 82-story tower a soft, billowy look — as though Chicago’s celebrated winds are ruffling its façade. It’s an award-winning structure that stands out for its innovative design by Studio Gang Architects. But its construction was well under way before the recession.

 Now “we are hearing that there’s more renovation work than construction work — kind of retrofitting existing buildings rather than building new ones,” Baker said.

It’s really difficult … for students coming out of school to find appropriate positions … we’re afraid that we’re going to lose a generation of architects.
–George Miller, president of the American Institute of Architects

It might not be the most stimulating work for innovative minds, but at least it’s work in what industry experts say has become an intensely competitive market. Where there were once two or three firms competing for a small project, now there are 20 or 30 as larger firms move in to take whatever jobs they can get.

The larger firms might “rather do a skyscraper, but if they can get a much smaller job they will, to keep the firm going and to keep people employed,” said Robert Campbell, a free-lance architecture critic for The Boston Globe. “And that drives people out of the field at the bottom who would otherwise have been getting those small jobs.”

Many firms have had to lay off employees to stay afloat. According to the U.S. Bureau of Labor Statistics, employed architects have dropped from an average of 233,000 in the first quarter of 2008 to 217,000 in the first quarter of 2009 and 198,000 in the first quarter of 2010.

George Miller, the president of the AIA and a partner at world-renowned architecture firm Pei Cobb Freed & Partners, worries about the long-term effects this job shortage will have on the industry.

“It’s really difficult, of course in these last several years, for students coming out of school to find appropriate positions in the field,” he said. “That really concerns all of us because we’re afraid that we’re going to lose a generation of architects.

… There are going to be fewer of us around to do the work that really needs to be done in the future.”

What will be the architectural work of the future? Miller says it will likely be energy-efficient design and a renewed focus on infrastructure, especially in urban areas.

“We’re going to be considering not only the individual building solution, but also the way in which our buildings fit in neighborhoods and communities and regions,” he said. “We really have to have a plan now that considers the infrastructure of our communities. … I think if we’re smarter in terms of designing our urban centers, we’ll be more efficient in terms of the utilization of our natural and physical resources.”

Experts agree that architecture is a cyclical industry and that the market will eventually rebound. The question is when.

“It’s always been highs and lows, highs and lows,” said Campbell, who is also a registered architect. “I remember in 1975 I was working for a prominent firm in Harvard Square, and we dropped from 68 [employees] to 20. And that was the oil embargo, ’74, and that led to an extremely steep recession but a short one — not like this one that’s lasted so long.”

Some architects think recovery might be around the corner.

“We are seeing the private sector picking up,” said Thomas Fridstein, head of global architecture for AECOM, a provider of technical and management support services. “I feel like we’ve been through the worst, we’ve sort of hit the trough of the recession and things are on the upturn. We’ve had some major commercial clients contacting us about projects potentially starting up again, so that’s a very positive sign.”

It’s a positive sign for the nation, too, because busy architects are a bellwether of economic stability.

“If you don’t design it, you can’t build it,” Baker said. “So [architects] are really the first step in the process toward seeing a recovery.”

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Send in the Clouds – MIT in bubbly bid for London Olympic Tower

Thanks to writer Julie V. Iovine and the folks at The Architects Newspaper, I came across this project.  It looks fantastic and I would love to see it built.  Although I admit I am not so sure I would ever reach the top to put my head in the “clouds”.  My fear of heights and intended airy and light feel of the structure might stand in my way. This of course assumes I ever travel to London.

A proposal spearheaded by MIT's Senseable City Lab envisions an inhabitable sculpture for London's 2012 Olympics.

All Photos Courtesy Raise the Cloud

In early November, British architects discovered with dismay that Mayor Boris Johnson of London was conducting a secret competition to select a designer for a $33 million beacon for the 2012 Olympics. Brushing aside the standard procurement process—which involves publishing a notice in The Official Journal of the European Communities—Johnson invited 30 firms to submit proposals for a prominent addition to the city’s skyline.

A Guggenheim-like spiral wrapped in cable netting will support the clouds, with much of the structure open to the public.

Called “the Cloud,” the structure starts with a slender spire that is ringed by a spiraling ramp, stabilized with a cable net, and sturdy enough for strollers and bicyclists to mount to a sky full of bubbly spheres. This upper aerie would host three types and sizes of spheres: The largest and most structural are Buckminster Fuller–type geodesic domes; next, cable-net bubbles would cluster around observation decks; and then, blurring the edge, bunches of hot-air-filled balloons create that head-in-the-clouds feeling.

The EFTE inflatables would be covered in a new type of distributed LED that is readable from any direction and could provide a constant stream of information, including game statistics, weather forecasts, traffic advisories, alien greetings, and presumably, advertisements.

Olympic visitors at play in "the Clouds."

Intended to stand 400 feet tall, the Cloud will barely have a footprint, sustainability-wise. Photovoltaic film, whose effect will be magnified by mirrors, is spread over the spheres. And while visitors can only ascend the one-kilometer ramp on foot or by bicycle, they can descend by means of a “regenerative lift” that uses the same braking system as a Prius to recoup electricity, as will water-wheels embedded in the column through rain collection.

The exact size of the Cloud remains to be determined. Taking a page from the grassroots innovations of the Obama campaign, the team has organized a structure that can expand or contract depending on donations. The density of the cloud cover—the number of spires and individual clouds, in fact—will depend on how many people sign on to contribute.

London Mayor Boris Johnson envisions a beacon for the Olympics, and mit's is only one of several proposals thought to be under consideration.

While the contenders—said to include Foreign Office Architecture—have yet to be named, one team is already spreading the word about their entry on Facebook. Carlo Ratti, architect and director of MIT’s SENSEable City Lab, joined forces with German engineer Joerg Schlaich, Arup, artist Tomas Saraceno, corporate sponsor Google UK, and others to create what Ratti described as “not a building for London but a symbol of global ownership.”

The Facebook page Raise the Cloud was launched on November 11 with 1,000 fans and counting, according to Ratti, who would like to see as many as three spires covered in clouds at the as-yet-unselected site. “We can build our Cloud with five million pounds or 50 million,” he said. “The flexibility of the structural system will allow us to tune the size of the Cloud to the level of funding that is reached.” Whether or not selected by Mayor Johnson to be the official 2012 Olympic Tower, the Cloud is certain to attract plenty of air time.

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Island House by IROJE KHM Architects

From the Karmatrendz Blog

Floating site on the river

This site, where is floating on river and confronted the graceful landscape, was strongly recognized to me as a part of nature, from the first time that I met. From then, I started to visualize “the architectural nature” as a place of recreation. Form of site = Form of architecture = Maximum efficiency of landuse. While maximizing the efficiency of landuse, the leaner concrete mass, that cherishes the courtyard where is filled with the water and the greenery, was laid out on this site along the irregular formed site line. This courtyard is “The architectural nature” and a central recreation space as extended river that communicate the river and architecture. Continuous circulation of stepped roof garden – Creation of new green land in this site The whole part of the step typed roofs, where is moving upward with various level, are directly linked to the bed rooms in upper floor. Finally, this stepped roof gardens are linked to both sides of the inner court at where swimming pool is. The inner court where is filled with the water and flower and fruit, and the whole of the roof gardens are circulated as the continuous landscape place and that is the place as “architectural nature” in concept. Sucking in dynamic-surrounding landscape Naturally, all of the rooms inside this site-shaped-mass are laid toward the picturesque landscape to enjoy the graceful scenery surrounded this site. The huge panoramic view framed with sloped ceiling line that is composed with the lines of stepped roof gardens and the bottom line of the inner court, is the major impression of inner space of this house. Promenade inner space of skipfloor made the promenade roofgarden-space of skipfloor. Skip floor plan of inside of this house produced various dramatic spaces. Floating boxes with bamboo garden – Dynamic, unrealistic sequence of interior space. As “The architectural nature”, floating white polyhedral masses that have the built-in bamboo gardens, produced the various stories of vertical space Landscape architecture – Harmonizing with the surrounding landscape The shape of the mountain type composed of irregular polygonal shaped concrete mass and metal mesh was designed to harmonize with the context as “the architectural mountain”. There was the intention to be a part of the surrounding context that consisted of the river and the mountain. Architectural Island – Island House As a result, this house was to be “The island house” as an “architectural island”.

More photos and information from the Karmatrendz Blog

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Photos of the Remota Hotel in Patagonia, Torres del Paine, Puerto Natales-Chile by Germán del Sol

This is a special building.  I’ll let the photo’s speak for themselves…

Hotel

Check out the rest of the photos courtesy of the Daily Dose blog.

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NYC Firms and Unions Will Cut Costs To Boost AEC Work

The following deal was announced on May 29th in NYC.  Two months have passed by and there has been no quantifiable increase in announcements of the projects mention herein nor any recently issued Building Permits.  The idea for this deal and subsequent cost cutting agreements are quite an achievement and should begin to payoff for the local economy and AEC professionals.  I will continue to monitor the situation for you.

08_cover

Here’s the announcement from New York Construction News:

In an effort to jump start building projects in New York City and put idle union construction workers back on the job, the leaders of more than 40 different building trades and union employer groups announced on May 29 what they termed a “historic compact” to cut wages of both labor and management and end expensive work rules. Proponents claim the citywide project-labor agreement will cut costs by as much as 21% on the first 12 high-rise and other commercial projects that it covers, representing $2 billion of construction and 10,000 jobs. But some are less enthusiastic about the cost savings, some unions are declining to participate and some developers may have to rethink profit margins in a changed city economy.

The agreement was reached between the Building and Construction Trades Council (BCTC) of Greater New York, which represents 100,000 union workers and the Building Trades Employers’ Association (BTEA), which includes 28 contractor groups and 1,700 union firms. The groups have been negotiating since last October, said Louis J. Coletti, BTEA president. “Contractors would have liked more, unions less, but we’re trying to save jobs in New York City,” he says.

Building trades agreed to no strikes or work stoppages on projects included under the pact, as well as standard workdays and other work rule changes and enforcement. Contractors agreed to cut wages and benefits for management employees, reduce profit margins and strive for “improved project management and efficiency,” among other changes.

Several unions, which were not specified, have also agreed to one-year wage freezes and benefit cuts, according to BTEA. The pact is set to generate project cost reductions averaging 16% to 21%, based on a study conducted for BTEA by Hill International Inc., a Marlton, N.J., project and risk management firm. That figure does not include union wage-freeze cost savings, says the group.

“We have two problems in New York: the financial crisis and creeping nonunionism. This will help both,” said John A. Cavanagh, a former building contractor executive and chairman emeritus of the Contractors’ Association of Greater New York, a BTEA member group. He credited BCTC President Gary LaBarbera, a former teamsters’ union official. “Everyone had to do what they didn’t want to do, especially on the union side.”

The pact won praise from New York Mayor Michael R. Bloomberg (R). “Labor and management are not content merely to wait for a national rebound,” he said on May 29.“Their agreement is an important step to get stalled projects going again.”

But Stephen Spinola, president of the Real Estate Board of New York, said, “It doesn’t go far enough.” He also says savings may be only between 3% and 8%, according to published reports. “We will be talking to our partners to bring costs down further,” he said.

But the pact press release coincided with the May 29 announcement by New York City-based Forest City Ratner Cos. that it plans to resume work on Beekman Tower, a planned 76-story mixed use project halted two months ago at the 37th floor. Reportedly set to be capped at 40 floors, the structure now will be built to its full planned height, says the developer, noting the new labor pact and cost reductions in materials and finishes. Kreisler Borg Florman is project contractor. Others among the first 12 projects that could restart include those being built by Bovis Lend Lease, Turner Construction, Tishman Construction, F.J. Sciame Co. and Plaza Construction. But Coletti acknowledged that not all may restart.

Even so, Coletti thinks the labor agreement is “more the end of the beginning,” noting that trades and employers are still discussing pact details and inclusion of new projects. The AFL-CIO’s Building and Construction Trades Dept. is set to review an additional 12 to 15 projects and the local labor-management committee will review up to nine more in the next week, he said.

One footnote, the city approved the master plan for the Coney Island Revitalization & Development Project yesterday.

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EDITT Tower – Singapore Goes Eco-Friendly

Every time I see this new genre of eco-friendly-green-buildings (like the EDITT Tower) I am inspired.  These buildings are inviting to look at and like I did as a young boy exploring Navy vesels in New York Harbor with my dad, I want to explore every floor, view and perspective.  Because these buildings have the potential to change the urban living experience for future generations, including rethinking the impact of sustainable design on our personal lives, I am showcasing them here.

editt-tower-singapore-1

Freshome Blog: What, you though only Dubai and China have the most stunning buildings in the world? Guess again, because EDITT Tower (“Ecological Design In The Tropics”) will be built in Singapore with the financial support of their National University and should be the most eco-friendly in the country. The most interesting thing is that this 26-storey building will use photovotaic panels and will be wrapped in organic local vegetation that will act as a living wall insulator. More to it, the skyscraper was designed to collect rain-water, both for plant irrigation and for its “needs”. If you want to congratulate someone, T.R.Hamzah & Yeang have had their hands on the project.

editt-tower-singapore-2

editt-tower-singapore-3

Article via Freshome Blog

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Fierce Competition on Stimulus Projects Leaves Surplus of Funds for New Jobs

stim $

WAYLAND, MASSACHUSETTS— States from around the country are reporting that bids on stimulus-funded projects are coming in far lower than expected, according to 120 Days Later: How the Recovery and Reinvestment Act of 2009 is Impacting the AEC Industry, a new report from ZweigWhite. This leaves a surplus of funds that states may use to fund projects which were initially deemed to be lower priority or less than “shovel ready.”

With new projects becoming available and only 14% of the $787 billion stimulus package spent so far, A/E and environmental firms still have a chance to go after work funded by this historic initiative.

“This money will be spent. Our analysis suggests that firms planning to pursue these new projects shouldn’t sit still, waiting for the government to release requests for proposals,” notes Elaine Howley, editor of the report.

“We’re advising our clients to invest in developing strategic partnerships now, in order to be ready the moment states decide to move forward with additional jobs. Tactics may include identifying public sector decision-makers and forming alliances with other professional services firms.”

“It’s very notable that the desire to win these jobs is so great that more jobs will be made available. The other side of that coin,” Howley cautions, “is that, when placing bids, firms must be mindful that there has been considerable downward pressure on pricing.”

ZweigWhite’s new report 120 Days Later: How the Recovery and Reinvestment Act of 2009 is Impacting the AEC Industry details the spending that’s occurred in the months since the passage of the economic stimulus bill and explains what’s expected to happen next. The report also provides information on what projects are still available and provides practical advice for pursuing stimulus-funded work quickly.

This is a companion report to Guide to the American Recovery and Reinvestment Act of 2009, which was published in April and explains how stimulus funds are being distributed and offers proven strategies for securing public work. Both reports are available for immediate download at www.zweigwhite.com/go/120days.

About ZweigWhite: ZweigWhite is the nation’s leading source of business management services for architecture, engineering, and environmental consulting firms. The ZweigWhite team consists of experts in strategic business planning, business valuation, ownership transition, human resources management, finance and administration, mergers and acquisitions, market research, marketing, project management and project delivery methods who collectively produce a comprehensive suite of products and services, including newsletters, industry reports, executive training, business conferences, and advisory services covering virtually every aspect of firm management. The firm is headquartered in Wayland, MA , with additional offices in, Chicago, IL and Washington, DC

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Floating Nuclear Powerplant

nukeI have to say this is really cool stuff – heady mix of architecture, industrial design, engineering and technology.

The world’s first floating nuclear power plant is currently under construction at a shipyard in St. Petersburg. It will be 144 m long and30 m wide and house two 35-MW reactors. It will supply power in remote areas. Upon completion in 2012, crews will tow the plant to the port of Vilyuchinsk on the Kamchatka peninsula, where it will supply power to a submarine base. Russia’s United Industrial Corp. (OPK) is building the FNPP at its Baltiiskii Zavod shipyard for owner Concern Energoatom, Ukraine’s state-owned nuclear utility. Russia has extensive experience with nuclear-propelled submarines and icebreakers, and the reactors on the FNPP will be similar to ones used by the icebreakers. The 21,500-ton vessel will cost $274 million.

Via ENR

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Featured Architecture + Design Blog of the Week

Inhabitat “Design will save the world” Blog

Studio Shift’s honorable mention submission for Taiwan’s Center for Disease Control

Studio Shift’s honorable mention submission for Taiwan’s Center for Disease Control

About

Inhabitat.com is a weblog devoted to the future of design, tracking the innovations in technology, practices and materials that are pushing architecture and home design towards a smarter and more sustainable future.

Inhabitat was started by NYC designer Jill Fehrenbacher as a forum in which to investigate emerging trends in product, interior and architectural design. Mike Chino is the Managing Editor; Emily Pilloton, Olivia Chen, Evelyn Lee, Abigail Doan and Jorge Chapa are Senior Editors. The site was designed by Jill Fehrenbacher and runs off the fabulous blogging platform WordPress.

Mission

GREEN DESIGN IS GOOD DESIGN
GOOD DESIGN IS GREEN DESIGN

Inhabitat.com is a weblog devoted to the future of design, tracking the innovations in technology, practices and materials that are pushing architecture and home design towards a smarter and more sustainable future.

With an interest in design innovations that enhance sustainability, efficiency, and interactivity in the home, Inhabitat’s attention is focused on objects and spaces that are eco-friendly, multi-purpose, modular, and/or interactive. We believe that good design balances substance with style. We are frustrated by the fact that a lot of what we see being touted as “good design” in magazines and at stores is all style and no substance. A lot of contemporary design merely imitates the classic Modernist aesthetic without any of the idealistic social agenda that made Modernism such a groundbreaking movement back in the early 20th Century. The flip side to this is that oftentimes real technological innovations – the ones which will eventually change the way we live our lives – are often not packaged into enough of a stylish aesthetic to move beyond niche circles and crossover into mainstream popular taste.

Likewise, we are frustrated at seeing an emerging category called “Green Design” – as if sustainability is somehow separate from good design in general. We believe that all design should be inherently “Green”. Good design is not about color, style or trends – but instead about thoughtfully considering the user, the experience, the social context and the impact of an object on the surrounding environment. No design can be considered good design unless it at least attempts to address some of these concerns.

We believe in the original modernist ideology that form and function are intertwined in design. Style and substance are not mutually exclusive, and Inhabitat is here to prove it!

ABOUT & MISSION statement via Inhabitat blog

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