Showing posts from category: modern architecture
As you are climbing uphill; what seems like a continuous climb throughout the many hills of Parc Guell, you bravely steel a glance or two downwards and think that this is it. This must be one of the more beautiful experiences of your life. Gingerly you take each step with your camera in hand, careful not to drop the camera or anything else as you find yourself looking at, well, everything. It’s an overwhelming experience, and in a good way. Earlier in the year, my dad passed away, thereby making this my first vacation in a decade where I did not suffer from any family distractions. No worries, but did I ever miss him! I still do. But it was one less thing to ponder as I was transversing uneven stone steps with nary a handrail in sight. But I was just starting to speak of the beauty about this park, a must-see for anyone who travels to Barcelona, when I hit a few detours. Count Guell was a prominent businessman in Barcelona at the early part of the last century. He engaged a prominent architect, Antoni Gaudi, to design a garden city with sixty houses on a hill called Montana Pelada. The venture was not successful and only two houses were built. But an unsuccessful venture led way to one of the more beautiful parks you will ever see. At the entrance, you will find the main staircase with a dragon fountain made of broken bits of glazed ceramic tile, a signature style for Gaudi. This leads to the Salon of a Hundred Columns which really number eighty-four, but who cares? The ceiling of the salon has more tiled mosaics. In fact, they’re everywhere in sight. The on-site museum contains splendid furniture that Gaudi designed. And so it goes; you’ve walked for three hours, and have a big smile on your face. You can’t wait to tell the story to all you know.
You’ve planned a week in Barcelona because you are wise and know that you will not be bored for a second. You will want to come back. As you continue drinking in the various Gaudi shrines throughout this beautiful city, you get to understand a bit more about the architect with each building. Casa Batllo is truly amazing and I would suggest to go early in the day to avoid crowds. The details on the doorknobs and locks; the center court and other means of ventilation were ahead of their time. The rooftop dragon is not to be believed. Next up is Casa Mila, his iconic monument to the Modernist movement. It does not seem very livable, but once again, it’s all in the details. The Sagrada Familia is no problem for anyone familiar with waiting on lines at Disney. Wear comfortable shoes! If you are able to go to the top of the towers, then you are lucky for you will view this beautiful city in the most unique way and it is breathtaking.
Okay, I lied. It’s not all about Gaudi. It’s also about the food. As I’m re-reading my diary, the secondary descriptions that do constant battle with architecture are of the fantastic food. As I read about the various meals of fish, meats and risotto, my mouth waters and I desire to savor them all over again. Since we are incapable of dining at 10:00 PM, we chose instead to have our main meals of the day at lunch and have a more casual al fresco experience in the evening.
I lied some more. It’s all about the walk. Ever since I was twenty and I traveled to San Francisco with friends, I have always made note of how compatible I am with the place I am visiting. San Francisco was fine but I quickly realized I couldn’t live with Californians. In Barcelona, at some point we stopped and thought, “could I live here?” Yes was the answer. It is walkable; it is friendly; it is safe and clean; it is modern; it is old. Barcelona is ideal. The week was brimming over with a travelogue of lists consisting of everywhere we ambled and places we didn’t quite get to at this time. Maybe, next time? Because there was so much good stuff that really good architects had the sense to design and get built all in walking distance of each other. More Gaudi, so much to see in the Gothic Quarter as you walk past what is left of a Roman aqueduct, the Picasso Museum and the Palau de la Musica Catalana (a music hall with a gorgeous stained glass ceiling). And then there’s Gehry’s Fish. Barcelona’s golden fish sculpture sits in Port Olimpic at the base of one of the tallest buildings in the city. Frank Gehry was commissioned to build the piece for the 1992 Summer Olympics and brought the city to the attention of the world! Wow!
aia, architect, architects, architecture, architecture critic, Art, buildings, built environment, Design, Engineering, modern architecture, modern buildings, new buildings, Sculpture
architects, architecture, Barcelona, Disney, Frank Gehry, Gaudi, Gehry, Palau de la Musica Catalana, Parc Guell, Picasso Museum, Spain
House in Carapicuiba by spbr Architecture is set in a small valley far below street level. To design a house that provided for both living and work in this unique site, the architects created a multi-level structure that separates private and professional space. The entrance to the concrete and glass building, reached via a steel-grid bridge, provides two options upon entry: a descending staircase to the living space, or an ascending staircase to a tube-like structure that serves as the office.
Full story and all photos in Architizer
architecture, Design, Engineering, Interior design, modern architecture, Sculpture
architecture, Brazil, Carapicuiba, David McFadden, design, spbr Architecture
north eastern corner overlooking the northern forecourt. images courtesy lyons, dianna snape, michael evans, nils koenning
the la trobe institute for molecular science (LIMS) by australian lyons architecture is a major new building on university’s bundoora campus, which will meet the school’s long-term needs in terms of student learning and research in the science disciplines. the project seeks a‘transformative’ identity of the campus, which had previously been built within the strict guidelines for materials and heights.
the lower levels of the building accommodate first to third year undergraduate learning spaces – with large open flexible labs (accommodating teaching cohorts for 160 students) connected with ‘dry’ learning spaces. this allows people to move between laboratory based project work, to digital and collaborative learning activities within the adjacent spaces. at ground level, these learning areas breakout to new landscaped interior environments, extending the idea of placing students at the centre of outside social and learning hubs.
the upper three levels of the building are research focused and based around a highly collaborative model. all laboratories are large open flexible spaces where teams are able to work together, or expand and contract according to research funds. these large ‘super labs’ are located immediately adjacent to write-up spaces, allowing a very direct physical and visual connection between all research work sections. the plan includes a major conference room, staff ‘college’ lounge and informal meeting spaces, are also located on the research levels. the design is fully integrated with the adjacent existing structure, which accommodates a number of other lims research staff and laboratories.
a major stairway rises through the centre of the building, connecting the student and research levels – as a form of representation of the ‘pathway’. the cellular exterior of the building is derived from ideas about expressing the molecular research that is being undertaken within the building, and is adjusted via the materiality of the building itself. the walls are primarily precast concrete, with the cells providing a ‘lower’ and ‘upper’ window into the various spaces, aiding the penetration of daylight. the cellular concept also creates a framework for a number of distinctive spaces for students to occupy or for research staff to meet and collaborate.
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architect, architects, architecture, architecture critic, Art, buildings, Consulting For Architects, Design, modern architecture, modern buildings, Sculpture
bundoora campus, climate, designboom, interior environments, la trobe institute for molecular science, lyons architects, research, science, science disciplines
A New York City Council committee has approved a modified version of a plan to add four new buildings to New York University in Greenwich Village.
The Land Use Committee voted 19-1 Tuesday in favor of a 1.9-million-square-foot expansion plan.
The proposal was reduced about 20 percent since it was presented to a public hearing on June 29.
NYU Senior Vice President Lynne Brown said the plan will help New York City remain economically vibrant.
Council member Margaret Chin, who represents the district, said NYU made significant concessions in its modified proposal.
But Andrew Berman of the Greenwich Village Preservation Society called the downsizing a drop in the bucket.
The full City Council vote is expected on July 25.
Via NY Post
architecture, architecture jobs, Hiring trends, jobs, modern architecture, modern buildings, new buildings, recession, Urban Planning
AIA NY, architecture, jobs, unemployed architects
While many architects and engineers have been vying to construct the world’s tallest tower, a group in China has looked to build in the opposite direction.
Construction began last month on Shanghai’s first “groundscraper”—a structure built almost completely below the surface. The massive project will eventually take form as the InterContinental Shimao Shanghai Wonderland, a 19-story, 380-room luxury hotel surrounded by a 428,000 square-meter theme park.
The hotel broke ground about 30 miles from the city of Shanghai in an abandoned quarry at the foot of Tianmashan Mountain. The building, located in the district of Songjiang, will be grafted onto the side of the quarry with 16 floors descending down and three floors resting above the crater.
Just as the top levels of a skyscraper are often filled with elegant restaurants and the most luxurious of rooms, the bottom two floors of the groundscraper will include an underwater restaurant, an athletic complex for water sports and 10-meter deep aquarium.
The quarry’s surrounding cliffs will be used for extreme sports like bungee jumping and rock climbing.
The project’s developers at the Shimao Property Group worked with British engineering firm Atkins to bring the idea to fruition and expect to near completion in late 2014 or early 2015.
The theme park and hotel are expected to cost at least $555 million and nightly room rates should start at approximately $320.
architecture, buildings, built environment, Green Architecture, Green Built Environment, Landscape Architecture, modern architecture, modern buildings, Sculpture
architecture, Atkins, China, Hotels, InterContinental Shimao Shanghai Wonderland, room luxury hotel, Shimao Property Group, skyscraper, Tianmashan Mountain, travel
The Taiwan Tower is a Sustainable Twin Syscraper for the 21st Century The Taiwan Tower is a proposal by Vienna-based architect Steven Ma in Collaboration with San Liu, Xinyu Wan, and Emre Icdem. This highly innovative project consists of a set of super slim twin towers that reach a height of 350 meters where an observatory and sky-park is located. The plinth of the towers is formed by an intrica…te set of museums that will exhibit Taiwan’s past, present, and future. Each of the three museums configures itself around recreational areas that include a water plaza, an outdoor theatre, a green house, and an event plaza. Another interesting feature is the location of four different types of hanging gardens along the towers’ structure with high-end residences and an aviary for endangered bird species. Among the sustainable features, the Taiwan Tower is equipped with water recycling plants, wind turbines, and a beautiful set of photovoltaic cells placed along the sky-garden and on top of the museums’ undulating surfaces.
architects, architecture, buildings, built environment, carbon-neutral office building, Design, eco building, Green Architecture, green buildings, Green Built Environment, modern architecture, modern buildings, new buildings, skyscraper
Emre Icdem, San Liu, Steven Ma, Taiwan Tower, Xinyu Wan
Design is complex. There is little that is more complex to design than a home, however fundamental issues offer an architect a starting point; where is the sun? How do we capture it in winter, how do we exclude it in summer?
The thin allotments that dominate Melbourne’s northern suburbs often provide indomitable constraints to solar access and therefore require the production of unorthodox ideas to overcome these constraints and convert them into opportunities.
The site faces north therefore relegating the backyard, the family’s primary outdoor space, to shadow throughout the year. In the 90s a two storey extension was added reducing solar access even further while creating deep dark space within the house. A family of five wished to create a long-term home, which could meet the requirements of three small children and their slow transformation into young adults over the years.
Rather than repeating past mistakes and extending from the rear in a new configuration, the proposal was to build a new structure on the rear boundary, the southern edge of the block, upon the footprint of what had been, until now, the back yard. The new structure faces the sun, the pure cantilevered box above acts as the passive solar eave, cutting out summer sun, while letting winter sun flood in.
Following the decision to build at the rear of the block a ubiquitous modern box was first imagined. Soon it seemed necessary to pursue the opportunity to activate this new, once shaded, now sunny facade. A seat along the new northern facade? Perhaps a series of steps like the Scalinata della Trinità dei Monti? But how does one lounge in the sun on steps. Perhaps a slope instead …. And the hill house evolved/emerged.
The new structure faces the original house. The backyard is now the centre of the house activated by the built form around it. Beyond solar gain, the benefit of the new structure being in the backyard is that it borrows landscaping from its neighbours’ gardens. The high windows about the entertainment cabinetry and the dining area are enveloped in trees. Internally one gets the sense that Hill House is enveloped by bush rather than part of the suburban mix.
Along one boundary a 2m high fence was created, but unlike most houses the Hill House has a one metre wide fence; a corridor lowered into the site to achieve head height. This in turn creates a lowered dining area. One rises into the living space. The change in floor level creates a bench seat for the Maynard designed ZERO WASTE TABLE.
Front Street no longer provides the main entry to the home. Family now enters via the side lane. The original house, now private dormitory spaces, no longer has a typical relationship to the N#@$%k street’s “front” door. The original house, as with most narrow blocks throughout Melbourne, demanded that visitors walked a long corridor past bedrooms to the living area. Stolen quick glances into dark private spaces always occurred along the journey. At the Hill House the entry is reorientated. The kitchen, the nerve centre, the hub of the house, is the new greeting point. Beyond is the park. Adjacent is the living space, the yard and the “kids’ house” beyond.
The old house is converted into “the kids’ house”. The old house is as it once was. The rear of the simple masonry structure, though spatially connected, is not reoriented, a face is deliberately not applied. It is left honest and robust. With a restrained piece of “street art” to be applied.
Andrew Maynard Architects was established in 2002 following Andrew’s receipt of the grand prize in the Asia Pacific Design Awards for his Design Pod. The core principles in the establishment of AMA was a balance between built projects and broad polemical design studies. This is demonstrated in AMA’s highly crafted built work and socio-politically based concepts both of which have been widely published and have garnered global recognition.
Andrew Maynard Architects explores architecture of enthusiasm – AMA treats each project as a unique challenge, offering unique possibilities and prides itself in experimentation. All of AMA’s designs are concept rich, left of centre and sustainability conscious; styles and singular themes are avoided. AMA specializes in ideas rather than building type, whether the project be a house in Fitzroy, a library in Japan, a protest shelter in Tasmania, a plywood bicycle or a suburb eating robot. Andrew Maynard Architects continues to be published in many prestigious international journals such as Mark Magazine [Amsterdam], Architectural Record [US], Architectural Review [London], Monument. Houses A + T [Spain], Architecture Australia, Wallpaper [London] and Pol Oxygen. AMA’s conceptual and built work has been exhibited in New York, Budapest, Melbourne, Sydney, Osaka, Milan, Sao Paulo, Tokyo and more.
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architecture, Design, eco building, green building, Green Built Environment, Landscape Architecture, modern architecture, Residential, Sculpture
transportation, travel, vacation
Unable to line up tenants, developer to cap his second Trade Center tower at seventh floor.
Developer Larry Silverstein is planning to halt construction by the end of the year on the second of the two towers he is currently building at the World Trade Center site if he can’t find a major office tenant, sources close to the company said.
Minor modifications have already been made to the ongoing construction of the tower that will allow it to be capped at the seventh floor—73 short of its planned height. Retail tenants would be sought for the seven-story podium.
If Mr. Silverstein finds a tenant before the tower is capped, he can go ahead and complete what will be known as 3 World Trade Center, although there might be some delays, depending on when the deal is struck. The building was slated to be completed in 2015.
Mr. Silverstein is not currently close to signing a tenant, sources said. The building’s cap can be removed and construction can resume after he finds one. Mr. Silverstein’s spokesman declined to comment.
The move to cap the tower stems from a 2010 agreement between the developer and the Port Authority of New York & New Jersey, the site’s owner, to end a long-running feud. Under the deal, Mr. Silverstein has to pre-lease 400,000 square feet in his second tower, line up $300 million of private equity and secure private construction financing in order to qualify for debt guarantees from the Port, the city and the state.
But amid financial tumult in Europe, a weak U.S. economy and a cooling in the city’s office-leasing environment, Mr. Silverstein has been unable to attract a tenant. Experts say his near-term prospects are dim.
“The willingness of large-scale tenants to commit in this environment is limited because companies don’t want to go out and spend a lot of money,” said Peter Hennessy, president of Cassidy Turley’s New York Tristate Region. “It’s not the building; it’s the market.”
Cheaper to stay put
Despite a host of government incentives to lure firms to lower Manhattan, Mr. Hennessy estimates that a 400,000-square-foot tenant would need to spend about $100 million just to outfit an office. Faced with those kinds of costs in a lackluster economy, Mr. Hennessy said, it’s likely that more companies might opt to renew their current leases.
Morgan Stanley, for example, has been searching for months for between 1 million and 1.4 million square feet. Now, sources said, the bank is very close to renewing its lease at 1 New York Plaza and taking some additional space there, which would be a much more cost-effective option.
While other big companies—including Time Warner, News Corp. and Credit Suisse—continue to prowl the market for huge digs, their ranks are thinning. Last year, the number of tenants seeking more than 100,000 square feet tumbled 23%, from 74 to 57, according to Cushman & Wakefield Inc.
To land tenants, Mr. Silverstein faces competition from both existing buildings and other planned state-of-the-art towers. Related Cos. and Oxford Properties Group are seeking tenants for their massive project at the Hudson Yards west of Penn Station, while Brookfield Office Properties wants to lure firms to the 7.4 million-square-foot complex it plans in the same neighborhood. In addition, by the end of next year, as several large tenants move out, Brookfield will have 2.8 million square feet of space available at its World Financial Center—37% of its total—across West Street from Mr. Silverstein’s towers.
Seeing is believing
Sources say Mr. Silverstein’s tower has an advantage over other planned projects for now: Tenants can actually see the start of the building and visit the World Trade Center site. In contrast, except for one building, Related has to build a huge platform over the rail yards before it can start construction, as does Brookfield. That requires tenants with the imagination to envision the finished product and the confidence to take a chance that the neighborhood can be successfully transformed into a premier office market.
In addition, all three landlords are seeking tenants at a time when they are getting more skittish. While overall activity rose 16% last year, the amount of space leased in the second half of the year fell by 31% from the first half of 2011, and was down nearly 10% from the corresponding period in 2010.
Of course, large deals get done even during choppy times. Two months ago, luxury leather-goods maker Coach agreed to be the anchor tenant for a new tower at Hudson Yards. And just last week, publishing giant Condé Nast exercised its option to lease an additional 133,000 square feet at 1 World Trade Center. That will bring the publisher’s total to 1.19 million square feet in that building, which is being developed by the Port Authority and the Durst Organization.
But sources said the Condé Nast deal was heavily subsidized by the Port because it wanted a strong anchor tenant to establish 1 World Trade Center as a premier corporate location. For example, the Port has agreed to assume the last four or five years of Condé Nast’s lease at its current headquarters at 4 Times Square.
Mr. Silverstein has the right to build three office buildings on the World Trade Center site. The first, 4 WTC, is a 72-story building that is due to be completed next year. About 60% of it is leased. Below-ground infrastructure work is being done on the third tower that is expected to end soon, but the building is on hold indefinitely.
David Goldstein, an executive vice president at Studley, said it’s possible that Mr. Silverstein may find a tenant as firms seek to take advantage of the current environment.
“There are lots of opportunities in this market,” said Mr. Goldstein. “And I wouldn’t count Larry out.”
architecture, architecture jobs, buildings, Hiring trends, jobs, modern architecture, new buildings, recession, unemployed architects
debt guarantees, Larry Silverstein, office leasing, peter hennessy, retail tenants, term prospects, tower line, WTC
Skidmore, Owings & Merrill has recently added a new landmark to the skyline of Kuwait City: the Al Hamra Firdous Tower, now the tallest building in the country, peeks through the clouds with its quarter-mile-high torqued form. Unless record height is achieved, ‘supertall’ skyscrapers rarely sustain attention these days, but SOM’s latest tower has received notice for its unusual appearance. The Al Hamra Firdous Tower is the only skyscraper with an asymmetrical exterior; the structure wraps around like a robe, choosing to conceal or reveal depending on one’s angle of approach.
The Al Hamra Firdous Tower is notably constructed with malleable concrete as opposed to traditional steel. At ground level, curving concrete buttresses interlace to create stunning structural nets that again conjure allusions to fabric. The crisscrossing forms evoke the structural integrity of the Gothic as well as the latticed, exposed steel arms of architecture at the dawn of the industrial revolution.
In SOM’s design, 500,000 tons of concrete weave upwards to form a folded, monolithic tower culminating with a sharply asymmetrical, winged crown. The exterior of the ‘robe’ embraces the shiny, smooth façade of other buildings of its class, but its interior aspires to project a different image. Not only is this partially enclosed facade paved in lusterless concrete, but the windows also appear deeply set and unevenly coffered, casting a pattern of shadows on the matte surface that not only suggest the designs of Middle Eastern textiles but also make the building appear massive.
In doing so, the design refuses to fully conceal its core material and recalls a more vernacular building practice. With an unexpected turn to concrete, the Al Hamra Firdous Tower respects its site and innovates accordingly, creating an impressive building to match its own impressive views.
All images © SOM
architecture, construction, Design, modern architecture, modern buildings, new buildings, skyscraper, som
al hamra, Al Hamra Firdous Tower, Kuwait City, middle eastern textiles
ISLE STYLE: An Escher-esque visualization of Cornell University’s bold new plan for a high-tech engineering campus on Roosevelt Island.
Proclaiming it a “defining moment” that will revolutionize the city’s economy, Mayor Bloomberg yesterday offered a first look at Cornell University’s gleaming-new graduate school for applied sciences that will be built on Roosevelt Island.
“It will transform our economy,” the mayor declared at a press conference just 72 hours after Stanford University stunned City Hall by announcing it was dropping out of the yearlong competition to attract a premier engineering school that will serve as one of his administration’s enduring legacies.
Bloomberg described the proposal submitted by Cornell and its partner, Israel’s Technion, as “far and away the boldest and most ambitious.”
“Their proposal called for the most students, about 2,000 a year, the most faculty, about 300, and the most building space, over 2 million square feet,” he said.
Cornell announced last week that it had received a $350 million gift, the largest in its history, from an anonymous donor for the project.
That deep-pocketed donor was revealed yesterday as Charles Feeney, a Cornell alum who made billions as the founder of the Duty Free Stores.
Seth Pinsky, president of the city’s Economic Development Corp., estimated that the number of engineering graduates here will increase by 85 percent once the campus is fully functional in 2037. Operations are scheduled to begin in leased space in September.
In addition to classrooms, labs and dorms, the $2 billion campus will includes “incubator space” for start-up companies and what was described as “spinout space” for commercial applications of research-and-development projects.
Cornell is also immediately establishing a $150 million fund for new tech ventures that agree to stay in the city for at least three years.
“History will write this was a game-changing time in New York City,” the mayor said at Cornell’s Upper East Side medical school.
Officials predicted that Cornell would eventually help generate 30,000 high-tech positions along with 20,000 construction jobs and 8,000 permanent jobs at the school.
The 11-acre school is to be built on land now occupied by Goldwater Hospital, whose patients are to be moved to the former North General Hospital Harlem.
Cornell-Technion’s proposed graduate school for applied sciences
* Location: 11 acres on Roosevelt Island now occupied by Goldwater Hospital
* Total square feet: 2 million
* Completion date: 2037
* Permanent jobs: 8,000
* Temporary construction jobs: 20,000
* Jobs created from high-tech spinoffs, licenses and corporate growth: 30,000
SOURCE: NYC Mayor’s Office
architecture, architecture critic, architecture jobs, Design, Hiring trends, jobs, Landscape Architecture, modern architecture, new buildings, Residential, unemployed architects
City Hall, Cornell University, Hig-tech Campus, Mayor Michael Bloomberg, Roosevelt Island, Stanford University